Showing posts with label the business of art. Show all posts
Showing posts with label the business of art. Show all posts

Thursday, July 19, 2012

Why Beginnings Suck and Why You Have To Begin Anyway

Note: I share this post from Kesha Bruce's blog, as it sums up a lot of what I've been feeling lately. Beginnings do suck. Begin anyway.


"Let me take the idea that has gotten me this far, and put it to bed. What I'm about to do will not be that. But it will be something." -Ze Frank 



This week I’m back in the studio full time after a long hiatus while I was working on other things.

I’ve managed to clear a lot of blur and noise from my life so I can just focus on making my work for the next few months.

Beginnings are scary.

Sure, beginnings can be craaaaazy exciting, but they can also suck. A lot. 

Momentum is a powerful thing, but at the beginning of any new project—you have none. 

Right now I am at the grunting, groaning, “this sucks so effing much” part.

My only reassurance being “I’ve done this before, I can probably do it again.”

Here’s the thing: When you start, you always start from the beginning.

There are no short cuts worth taking.

Just begin.

 


Kesha Bruce is an artist and the director of Baang and Burne Contemporary Art in New York. Her ideas on art marketing and creativity can be found on her blog at www.keshabrucestudio.com.

Tuesday, July 5, 2011

6x6 Summer Blog Tour!


When I first heard about 6x6, I was excited, in awe of two women that could put together such an amazing project...and of course, I wanted to learn more. I got a chance to ask Kesha Bruce, co-director of Baang and Burne Contemporary Art a few questions about the business of art in general and 6x6 specifically. A common theme was relationships between artists, their art, and audiences. Here's what she shared:

Nyela: You say selling art is about building relationships...but with whom? How?
Kesha: I always tell my consulting clients: “Stop hunting Unicorns!” By that I mean--understand that most “art collectors” don’t walk around calling themselves “art collectors”. It’s not a job title. Just think about the last 3 people who bought one of your artworks. Were they rich celebrity “art collectors” that sit on museum boards and give thousands of dollars each year to art foundations? If so, great! But most likely it was a person who really liked the work, and really liked you, and decided to buy your work. They are an art collector.

Artists need to make a habit of consistently staying in touch my e-mail and by snail mail with people that show interest in their work. Every artist should constantly be adding new people to their mailing list. These people are your collector base!

Nyela: How can artists work together to promote their work?
Kesha: Obviously, I think more artists should get together and produce their own exhibitions. It doesn’t have to be a big production or even a formal, tradition exhibition for that matter. It could be as simple as 3 artists getting together and each hanging 5 pieces of artwork in someone’s living room for an evening. These type of smaller intimate events are a great way to invite people to see your new work in a more laid back fun way.

I say this all the time: Other artists aren’t your competition. They’re your greatest allies. Always remember that.

Nyela: How did you pick the group of artists that would be exhibiting in 6x6? Do they have any particular thing in common in terms of style or theme?
Kesha: There’s a lot of truth to the saying “It’s all about who you know.” When Charlie Grosso and I formed Baang and Burne we picked a group of artists that not only made work we loved, but who we already knew and trusted. The artists I brought on, I had met when I was an Artist-in-Residence at the Vermont Studio Center. I had worked with them day in and day out over the course of a month so I knew their work well and I knew they would be easy to work with personality wise. In the end, I chose people I already had great relationships with. In the end it always comes back to relationships!


To read more about 6x6, read Kesha’s weekly articles on art, art marketing, and creativity and to download a free copy of her guide “The 5 Step Art Career Make-Over” visit her blog at www.keshabrucestudio.com.

Monday, March 14, 2011

10 Easy Steps to Becoming a Better Artist

 A brilliant post and one that, to me, is absolutely essential, from artist Kesha Bruce:

1. Make some Art.

2. Make some more Art.

3. Make even more Art.

4. Make even more Art than that.

5. Make Art when you don't really feel like making Art.

6. Make Art when you REALLY feel like making Art.

7. Make Art when you have something to say.

8. Make Art when you got nothin' to say.

9. Make Art every day.

10. Keep making Art.


Inspired by the great wisdom of Brian Clark at copyblogger.


Kesha Bruce is an artist and the director of Baang and Burne Contemporary Art in New York. Her ideas on art marketing and creativity can be found on her blog at www.keshabrucestudio.com.

"Sheldon" on marketing and selling art


I think I am learning this the hard way.

Wednesday, January 5, 2011

The Art of 2010 and 2011's Goals

I hope everyone has had the happiest of holidays. Let's look at the art I've done in 2010, shall we?

The Secrets of Growing Things
Release (Freedom Belongs to Those Who Know the Beauty and Power of Their Voice)
One Thousand Swirling Wishes
I Fly (Return to a Dream)
Protect

I do wish I'd done more, but these seem to be the layered, multi-storied paintings I most want to create.

Still, there needs to be more.

What are my goals for 2011?
  • Complete one sketch a day for a calendar month
  • Finish and share at least one piece a month
  • Continue working on art goals: practice drawing facial expressions, clothing, feet, human figures, perspective, and incorporate found objects into artworks
  • Write a proposal for an art and social change project
  • Investigate Kickstarter as a funding source for an art project
  • Work with a friend to create a website for my art
  • Experiment at networking with other professionals who have talents I don't
  • Figure out how to track time spent on art and money (if any) made from it
I feel this is plenty ambitious, and I look forward to the challenge.